Artemis Rising
The Solace of Artemis
by Paula Meehan
reading by Olivia Hollander
I read that every polar bear alive has mitochondrial DNA
from a common mother, an Irish brown bear who once
roved out across the last ice age, and I am comforted.
It has been a long hot morning with the children of the machine,
their talk of memory, of buying it, of buying it cheap, but I,
memory keeper by trade, scan time coded in the golden hive mind
of eternity. I burn my books, I burn my whole archive:
a blaze that sears, synapses flaring cell to cell where
memory sleeps in the wax hexagonals of my doomed and melting comb.
I see him loping towards me across the vast ice field
to where I wait in the cave mouth, dreaming my cubs about the den,
my honied ones, smelling of snow and sweet oblivion.
Artemis Rising
oil on linen, 81 x 12”
2020
In Private Collection
oil on linen, 81 x 12”
2020
In Private Collection
Irish poet and playwright Paula Meehan's poem “The Solace of Artemis” was first published in the Notre Dame Review in the fall of 2012.
Boyhood Coat of Mail / Reborn Old Man
An Old Man Lies Down With The Lion
by Maj Ragain
reading by James Scofield
reading by John Wright
In an old book
of Zen teaching,
I come now across a note,
written in my own hand,
twenty five years ago.
The lion must slay the dragon.
Each scale bears the words,
“Thou shall.” When the dragon
is slain, one is reborn as a child.
I was delivered into this world
with the dragon’s egg
nestled in my breast.
I cannot remember the day
it emerged from its shell,
first a peep, later a snarl.
I have felt its hunger
since boyhood.
One midnight it moved its lair
to the lower bitter regions of my soul.
It began to feed on
what I feared and prayed against.
Neither of us knows what it guards or why.
Nights, the dragon climbs my rib ladder
to lay its head against my heart, lulled to sleep
by the drumbeat.
It is prisoner to the heavy coat of mail
which no sword can pierce, prisoner
to the weight of idle years,
the taste of sulphur and ash, the bars of bone.
Its every dream beckons the lion,
the great jaws tearing open the soft underbelly,
releasing the dragon from its troth.
The dragon’s death marks my birthday.
Thou shall lie down with the lion.
Thou shall be reborn as an old man.
Boyhood Coat of Mail
oil on linen
18 x 38”
2015
Reborn Old Man
oil on linen
17.25 x 37.75”
2015
Maj Ragain. Clouds Pile Up in the North: New & Selected Poem Press 53, LLC, Winston-Salem, NC, 2017 p.4
Damen, Jessica & Ragain, Maj, Home To Sargasso Sea-A Long Journey of Loving Collaboration, exhibition catalog, June 1-July 14, 2018, KSU Downtown Gallery, Kent OH, Kent State University School of Art Collection and Galleries and the Wick Poetry Center with support from the Ohio Arts Council. pp 32-33
*The readers read the first version of this poem
Dulce et Decorum Est
Dulce et Decorum Est
by Wilfred Owen
reading by Garrett Underwood
reading by James Scofield
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! —An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime. —
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Dulce et Decorum Est, Pro Patri Mori
oil on canvas
71 x 78”
2004 & 2013
Latin phrase is from the Roman poet Horace: “It is sweet and fitting to die for one’s country.”
Source: Poems (Viking Press, 1921) https://www.poetryfoundation.org/poems/46560/dulce-et-decorum-est
Earth Falls Away
The Reader
by Janet Lewis
reading by Carole Heine
reading by Catherine Hinton
Sun creeps under the eaves,
And shines on the bare floor
While he forgets the earth.
Cool ashes on the hearth,
And all so still save for
The soft turning of leaves.
A creature fresh from birth
Clings to the screen door,
Heaving damp heavy wings.
by Janet Lewis
reading by Carole Heine
reading by Catherine Hinton
Sun creeps under the eaves,
And shines on the bare floor
While he forgets the earth.
Cool ashes on the hearth,
And all so still save for
The soft turning of leaves.
A creature fresh from birth
Clings to the screen door,
Heaving damp heavy wings.
Earth Falls Away
oil on canvas
81 x 12”
2017
oil on canvas
81 x 12”
2017
Janet Lewis. Poems Old and New 1918-1978. Swallow Press, Ohio University Press, Chicago, IL, 1982, p.23
East of the Sun- West of the Moon
East of the Sun- West of the Moon
oil on canvas
14 x 30”
2014
In Private Collection
In Private Collection
oil on canvas
14 x 30”
2014
In Private Collection
In Private Collection
The Indians in the Woods
by Janet Lewis
reading by Catherine Hinton
Ah, the woods, the woods
Where small things
Are distinct and visible,
The berry plant,
The berry leaf, remembered
Line for line
There are three figures
Walking in the woods
Whose feet press down
Needle and leaf and vine.
by Janet Lewis
reading by Catherine Hinton
Ah, the woods, the woods
Where small things
Are distinct and visible,
The berry plant,
The berry leaf, remembered
Line for line
There are three figures
Walking in the woods
Whose feet press down
Needle and leaf and vine.
The Wife of Manibozho Sings
by Janet Lewis
reading by Catherine Hinton
He comes and goes;
There is no rest
While he is here
Or gone.
I cannot say
That his feet have pressed
The leaves
He was standing on.
He comes and goes
And the maple leaves
Lie still
Under the sun.
by Janet Lewis
reading by Catherine Hinton
He comes and goes;
There is no rest
While he is here
Or gone.
I cannot say
That his feet have pressed
The leaves
He was standing on.
He comes and goes
And the maple leaves
Lie still
Under the sun.
Janet Lewis. Poems Old and New 1918-1978 Swallow Press, Ohio University Press, Chicago, IL, 1982, pp. 3 & 4